Stieglitz devoted his whole career to creating Camera Work magazine, which became the face of the Photo-Secessionist movement. Stieglitz, the self-proclaimed king of American photography, was looking for the ideal venue to exhibit it to the public. Stieglitz purchased the budding Photochrome Engraving Company after landing in New York City. 1905 Anonymous/unknown photographer, Public domain, via Wikimedia Commons While there, he led the Pictorialism movement, which espoused photography’s artistic legitimacy.Īlfred Stieglitz photographing on a bridge, c. Following the passing of his sister Flora in 1890, he returned to America to reunite with his family. This gained him a name within Europe’s finest photographic circles. Stieglitz continued to publish essays and photographs in the British journal Amateur Photographer for the remainder of that decade. In order to satisfy his newfound passion for photography, the self-taught artist trained, investigated, and thought about the medium. The next year, while studying at Berlin’s Technische Hochschule, Stieglitz was introduced to photography for the very first time.ĭespite studying to potentially become a mechanical engineer, in 1882 Stieglitz bought his very first camera and began photographing panoramas of the rural countryside in Germany. He was born to German-Jewish immigrants and the Stieglitz family departed the East Coast and returned to Germany in 1881, hoping that the German education system would push young Alfred in ways that America’s had not. Many of his contemporaries used meticulous retouching to produce a sense of handmade craftsmanship, while Alfred Stieglitz depended more on compositional qualities and tone control, frequently focusing on natural elements like steam and snow to achieve characteristics comparable to those of the Impressionists.Īlfred Stieglitz, 1902 Gertrude Käsebier, Public domain, via Wikimedia CommonsĪlfred Stieglitz was born shortly before the American Civil War ended in Hoboken, New Jersey. Alfred Stieglitz, who originally emerged in the atmosphere of Pictorial photography, wanted to acquire prominence for his medium by achieving end results similar to those seen in other great arts such as painting. Later in life, inspired by Cubismand other styles, he grew fascinated with straight photography, preferring greater sharpness and fewer luscious effects.
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